I ask myself because this is also what we think of our world, don’t we? Architectural models and art can invoke meditations like this in a photographic investigator, in the most unsuspected moments or places. This one happened in Venice, during the 2016 Architecture Biennale.
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Collision course
Space 1999 has always been my favourite science fiction TV show. I was 7 years old when it was aired but I remember vividly all the episodes that I watched. Not long ago, I managed to find both series of this amazing TV show and I frequently watch a random episode for inspiration, as every self respecting photographic investigator would do. The one called “Collision course” is about a planet that appearances (and science logic) say that it will crush upon Moon base Alpha (that is stranded in space along with Earth’s moon) unless destroyed with nuclear bombs. But Commander Koening is reached by a being of this planet (in a form of a vision) that explains to him his part in the plot of events: that he is to let the planet touch the Moon base without fear so that it’s inhabitants can reach a higher, purely spiritual level of existence. Koening is struck and convinced by the power and sincerity of this being but finds resistance by the people of the Moon base Alpha who think that he is delusional, possibly from radiation sickness. In the end the cosmic bodies touch and the other planer disappears. The episode finish with Commander Koening saying: “Who could know that a planet in collision course would not collide but simply… touch?”
Read MoreA wondrous world
October is the Celtic month of Ivy and it brings the promise of the inner self and the spiral of life. I read that Ivy’s growth reflects the spiraling patterns of DNA, the gifts our ancestors gave us. For a photographic investigator family is very often a cause for frustration, but this time I decided to see things from the celtic perspective and contemplate on my positive inherited attributes, family traits that have served me well. Made me feel like entering a new, wondrous world…
Read MoreSnow walking in Greenland
The theme of the 2018 Venice Architecture Biennale is "Freespace". Free space is vital -if a photographic investigator (and any other investigator for that matter, but you must be an investigator) wants to achieve a free mind. Greenland's pavilion was one of my favourites. Not only for it's ample space and minimal concept, but for it's purity. There is a kind of mystical serenity that emerges through your core and enwraps you completely when you are walking in pure snow. The purity of snow triggers it. And this beautiful Greenland free space world, gave you the impression of walking on snow... And as a tropical island lover that I am, I can appreciate a good snow walk, believe me.
Read MoreBiennale Unexpected
One of those typical photographic investigations in Venice, where you intend to investigate one thing and you end up investigating another, a most unexpected one I might add...
Read MoreFly shadow, fly!
I don't know if it was an entrance or an exit. Maybe neither. There was light, so inevitably there were shadows. I remembered an arabic song called "Fly shadow, fly". Could I be investigating -without knowing it- the ability of a shadow to fly? Well, if it could, it should do it followed by this melody.
Read MoreA New Reality
From the Reality Project inevitably emerges a New Reality... Biennale Architettura Venezia, 2016.
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