“When you run after thoughts, you are like a dog chasing a stick. Every time the stick is thrown you run after it. Instead, be like a lion, who rather than chasing after the stick, turns to face the thrower. One only throws a stick to a lion once!”
This was the password phrase. I was investigating "The woman without a face", a notorious and mysterious ufologist and ancient civilisations specialist who had recently made a groundbreaking discovery… She was hiding in Plain Sight, a coffee shop that everybody could see but only the password would get you in. It was a 4 shots investigation and I can say one thing with certainty: she had beautiful hands.
Samsara is wisdom unrecognised, said Vajrasattva. In the heart of enlightenment, samsara and sorrow are merely the play of the All Good. And the five poisons of lust, aversion, dulness, arrogance and jealousy reveal themselves as five wisdoms. Wisdom is all pervading like the light of the sun. It is an all-healing flow of compassion than washes away our five negative predispositions. This photographic investigation brought the above truths to mind…
This photographic investigation took place in silence while listening to excerpts from a Ilie Cioara’s book - and affirmed itself through itself as power and beauty. He also wrote: “Life is perpetual freshness, in permanent movement, As such, we need to be the same way; A childlike innocence is requested by Existence, Every time, in every circumstance – a priceless purity.”
My new subject, Tatiana, was working in Sorrento and I was there for it’s healing waters, as I have mentioned in a previous blog post (“The healing waters of Sorrento”). As usual, I had no idea about this new assignment, neither did I know that the woman who served me my sour cherry drink every day, was the one I had to photographically investigate. My clue came one night through intuition and via a dj who was strategically placed in the right time at the right bar by my mysterious employers. Intuition made me send a waiter to ask the name of a song I liked and the clue came in a piece of paper. The dj wrote: “Caritas abundant in Omnia” (“Love Aboundeth in All Things”). It was certainly not the song I’ve heard, but the name of a hymn written by Hildegard of Bingen -a German Benedictine abbess and polymath active as a writer, composer, philosopher, mystic, visionary, and as a medical writer and practitioner during the High Middle Ages. I knew right away that I had to look around me for an angelic creature. This is the first part of this photographic investigation…
...I must say I always have loved the "liberation point". The moment when the illusion collapses. Not only because it gives equally good investigative portraits, but because it's most promising: who knows? If one illusion collapses today, maybe another one, more important will collapse tomorrow. Something to meditate on…
This is a question unanswered. And it will remain that way, if I have anything to say about it. I was asked to follow and photograph her… I didn't ask why, this was just one of these cases… You know what I mean… the money was so good, there was no time for questions… And also, because I thought it would spoil my fun to know about it beforehand. It would be very easy to say that she was just a mad woman visiting again and again an abandoned hospital in Venice. It sure would be an easy assumption. But as I was watching her, day after day, I felt drawn to her, to her energy and personality. Being crazy was just too easy, too simple… In my mind she was an alien actor, a person from another world, stranded here, for unknown reasons. The only way to connect to her home was to perform again and a again a mysterious ritual - the movements and their significance where known only to her. I saw her move silently, harmonically, smoothly, gracefully in her mysterious, strange "dance", in a surreal but mesmerising choreography. And I stopped thinking. I stopped wondering, as well. All I did was hope, wholeheartedly, that she'd get back home, soon.
My new assignment arrived while Dave Brubeck was playing “Take the A train”. My faithful companion brought me a piece of paper that said: “Initial”. In the life of a photographic investigator everything is interconnected and the course of the investigation -as well as it’s subject- are revealed by themselves without the necessity of thinking or wondering. The reason behind it always remains unsaid, though. But I am OK with it. Anyway, I knew that I had to replace the “A” with another letter and that that letter would be the initial of my subject’s first name. My intuition told me that was an
My new assignment had to do with hair. My new subject’s hair, not hair in general. The Jamaica Inn was a hair salon and at the same time it was my only clue about her and where to find her. As any good photographic investigator I pretended to be a customer with a particularly bad hair week and got to work while a very handsome hair stylist was contemplating what to do with my hair. A photographic investigator is used to make sacrifices.
My subject was witness to a miraculous manifestation. And although the words “manifestation” and “law of attraction” are very widely used and invoked today, very few people actually believe that they work -this is probably why they prefer giving endless lectures about it. But some people can do it, and those people prefer keeping it a secret. So when I was hired to investigate an actual witness to a magical appearance of a mansion -the way Aladin’s lantern would do it- I knew that my subject was on the run and that the time I had was limited…
“Sitting here in limbo, but I know it won’t be long”, sung Jimmy Cliff and that phrase was the clue for my next photographic investigation. My subject was Zenobia, the daughter of a wealthy family from Chicago who was taking a vacation on a tropical island of the Pacific with a suitcase full of golden coins for her expenses. It was a tradition in her family to pay only with gold, but in this island the authorities in the airport had never encountered a similar case -most of them had never seen golden coins before- so they confiscated her gold until a higher authority decided it was OK to give it back. Until then, Zenobia was living in limbo, spending her days in a coffee shop near the airport, waiting for a new development. I know that my powerful, mysterious employers had the power to arrange for her to have her gold back, but they wanted me to photographically investigate her. So I did it fast, because I don’t like for my subjects to be miserable…
My new subject had just returned from Tanzania. While I was photographically investigating her, listening with great interest her accounts about the place and the people, Ralph Waldo Emerson came to my mind and something he wrote in his book “Self reliance”, which I recognised as an undeniable truth.
My new subject was powerful. She had the ability to transform herself into anything she wished to -organic or inorganic- and she could also transform others. Her power had it’s source in the unshakable conviction that as a daughter of a powerful king she could have all of her wishes fulfilled. And she had a preference in the art of transformation… A photographic investigator must be careful in situations like this one, where a wrong look or word could transform them into a cucumber or an umbrella… So I walked carefully into my new assignment, being alert and ready at any time to push the button of my inter-dimensional wrist watch.
A photographic investigator realises sooner or later on her constant journey that she is a traveller. A traveller who is eager to reach her destination quickly, does not look back to see by what road she has come not does she ponder about what she has seen on the way or what she has gained by it, says Sri Anandamayi Ma. Exactly like that, she advises, thoughts of the past must be cast aside in the aspirant’s life.
A photographic investigator suspects from the beginning that she operates in a make believe world and tries to capture it’s aspects. But there comes a time when suspicions become an undeniable reality and the confinements of Disneyland seem to close in on all its characters. A photographic investigator knows then that it is time to make use of her freedom pass and leave Disneyland.
The clue for this photographic investigation was “The van”. Fortunately, an experienced photographic investigator is used to think out of the box and rarely takes her clues literally. It was very easy to locate the miniature van and photographically investigate the subject behind it. Not that I am complaining, but sometimes I think that my mysterious -but very generous- employers need to challenge me a little more…
A photographic investigator sooner or later realises that there is a distinction between the screen upon which a movie is projected and the movie itself. Many things happen in that movie and many feelings are evoked to the poor viewer, but the screen remain unchangeable. In times of pressure or general fear and anxiety, a photographic investigator always reminds herself: “Nothing real can be threatened, nothing unreal exists…”