As I was browsing through old carnival photos with people that are no longer in my life and in places that no longer exist, this amazing song by Toquinho was playing in my internal sound system… Escravo da alegria - slave to joy. And as I went to you tube to listen to it externaly as well, in one of the comments I read how Toquinho composed this song: He saw a phrase on a truck bumper that caught his attention and served as inspiration for this great hit. The message said: “If love is fantasy, I find myself lately in the middle of carnival”. The same way that my photographic investigations resolve themselves.
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A photographic investigator approaches her assignment with a beginner’s mind. Without plan, without preconceptions, without expectations, without knowledge, without having the slightest idea of what will happen. Than is the only way that a photographic investigation can be true. And that is not a rule, it is an observation.
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The clue about my new subject came with the wind. It was expected through the mail, but after an unprecedented explosion in the post office -a product of overwhelming anticipation for the upcoming Chinese New Year, the year of the Dragon- the wind took over the deliveries that the fire failed to eliminate. Only a small piece of half burned paper had survived, with the words: “Eyes with neither artifice nor evasion”. It was one of the more clear clues that I had received for a long time. I knew exactly where to find this amazing subject. The Year of the Dragon was approaching promising not to disappoint…
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Suddenly this fall everything was changing. A photographic investigator can -under extreme circumstances- manipulate planetary and galactic movements to maintain a situation that requires further investigating. And that was exactly what I was attempting this fall. Seven planets became retrograde in order to stop my subjects from moving into different realities. With no success so far. But a photographic investigator also can recognise when a full circle is complete and she surrenders her wants and needs to the wisdom of the universe.
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When a photographic investigator who discovers her subjects following clues that arrive at her doorstep by mysterious ways receives a note that says “Call off the search”, what is she supposed to do? Maybe stop looking and realise that her subject is closer to her than she could have ever imagined.
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My new assignment arrived while Dave Brubeck was playing “Take the A train”. My faithful companion brought me a piece of paper that said: “Initial”. In the life of a photographic investigator everything is interconnected and the course of the investigation -as well as it’s subject- are revealed by themselves without the necessity of thinking or wondering. The reason behind it always remains unsaid, though. But I am OK with it. Anyway, I knew that I had to replace the “A” with another letter and that that letter would be the initial of my subject’s first name. My intuition told me that was an
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I was about to watch a 1929 classic black and white film called “The locked door”, starring Barbara Stanwyck, when someone slipped a handwritten note under my door -that was also locked… My mysterious employers had not given me any sign of life for the last two years and I was worried that our secret operations had been revealed to the wrong people. I was in no danger, of course, but I had missed my secret assignments. My faithful helpers, Juanita and Lupe were begging me for some action. I guess cat’s wishes are more rapidly answered… The note provided me with clues about a beautiful, wealthy young woman, which I was supposed to photographically investigate immediately, as she was about to return to Crete -for some nefarious business, I am sure. It was easy. She was suspicious at first, but then, my ability to open locked doors was the one that had made me famous in my field.
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Sometimes a photographic investigator tests herself just to see if former subjects would produce the same insights in the present. They don’t of course… Something new, something exiting is always around the corner. This is a promise that can’t be broken.
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A photographic investigator knows that there is no point in “fighting” the darkness. All one has to do is turn on the light. Keep it simple.
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In dark times shamans had to protect themselves under an energetic cloak. Likewise, good witches had to disguise themselves in darkness, in order to awaken in us, undetected, the sparks of love and light that connect us to the divine. To be photographically investigating one of these exceptional creatures was a rare privilege and I enthusiastically took the assignment, disregarding the ensuing depletion of my energy - inter dimensional photographic investigations tend to have that effect on me…
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My new subject was working in the Old Curiosity Coffee Shop and I should know what clues to look for, except… I never got to read Dickens’ book -I had it in my library though! So I knew that the environment, though very pleasant, wouldn’t help me to complete the photographic investigation. She was known as the “Cat Mistress” because she loved and protected cats -and she was equally loved and protected by them. Her totem animal was the Caracal, a beautiful wild cat species that could jump 3 meters in the air and catch birds! My totem is the black bird and we could obviously have a conflict of interests there, but what helped me approach her was the recent appearance of the jaguar as my spirit animal -a sort of special, temporary messenger. This way, the necessary compatibility was achieved and my photographic investigation started.
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The code name for this assignment was “Magnificat” (My soul magnifies the Lord). Immediately the reality of something that Lester Levenson pointed out struck me: that when you dive into the very core of a feeling, you will observe that nothing is really there. Like looking at a magnified object. The more magnified it is, the less detectable it is. My subject was a heiress experiencing an intense feeling of unease and dissatisfaction about the fact that she had to pursue studies in theology in order to receive the 24 billion dollars that were hers… A photographic investigator must let her subjects realise the truth on their own, though.
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Another photographic investigation, another mystery with a code name… This time my subject was a renown spacecraft designer and the possessor of a classic greek beauty.
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A photographic investigator realises that all questions are wrong questions. Except one: “Who Am I”?
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A photographic investigator always has warm relations with people that most would call “unconventional”. Like -in this case- tarot readers and fortune tellers. It was in a meeting with a tarot reader that he pointed out that my spirit animal for the month of May would be the bat. I wouldn’t really know what to do with this information if at the same moment I were not browsing through one of my latest photographic investigations: the girl with the bat on her blouse. And then that famous sonnet from Shakespeare came to mind:
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A photographic investigator arrives at certain realisations sooner or later because they hate waisting their time -they are like this by nature. Yet they very often do. And they get frustrated. I mean, what is important is what you think of you. There is a law in life, the law of assumption. You are what you assume to be. Why not assume you are the person you would like to be -for a change? Just to see what happens… If you can’t help yourself how could anyone help you? And why should they… You operate your mind and your mind creates all that exists in your world. Isn’t it time to realise it and stop waisting your life day by day? I don’t know who said it but it made an impression to me: “Most people see life as bad weather: they wait for it to pass”. Maybe stop doing this now? Maybe shut the TV? Maybe stop paying attention to your mind chatter? Maybe stop recreating yesterday’s undesirable conditions? Just a photographic investigator’s suggestions.
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Leonardo’s “Mona Lisa” wasn’t the portrait of Mona Lisa Gherardini, wive of Francesco del Giocondo. It was a portrait of Leonardo’s mother. And it was the only painting that Leonardo always carried with him, wherever he went. Of course, this is just another theory (although supported by the actual historic evidence) as only Leonardo knew the truth. But in the case of the modern portrait of Mona Lisa with the sunglasses, the model was alive and could be found. That was my new assignment. And I have managed to photographically investigate her without arising suspicions. Like all of us, she was closer to her original self that she could ever have imagined…
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Very often a photographic investigator embarks on an investigative assignment after receiving a cryptic message or some kind of intuitive guidance. In this case it was a message hidden in a comment on a youtube channel. I immediately knew what I had to do and where to find my subject, although this would require another time displacement. But I was used to time travel and I had the time to replenish my energy, anyway, after so many months without inter-dimensional movements. So, no problems.
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An older, unpublished photographic investigation that became contemporary -in a way that only I know- under the light of Lester Levenson’s words: “We should have no wants. Then we are never in trouble.”
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I was investigating a classic type of entanglement: things that were happening in February suddenly appeared to be announced in a poster of last year’s October. My subjects thought that it was a mistake because they thought that nothing moves faster than the speed of light. Although quantum physics is an essential part of a photographic investigator’s life (especially an inter-dimensional one), it’s knowledge is not mandatory requirement in being qualified as a potential subject. Thank God.
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