street portraits

Call off the search

Call off the search

When a photographic investigator who discovers her subjects following clues that arrive at her doorstep by mysterious ways receives a note that says “Call off the search”, what is she supposed to do? Maybe stop looking and realise that her subject is closer to her than she could have ever imagined.

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Drink the wild air

Drink the wild air

“Live in the sunshine, swim the sea, drink the wild air” wrote Emerson and this quote was my clue for finding my new subject. My mysterious employers love to be… mysterious, so I received this quote written in a piece a paper that was attached to the collar of an abandoned cat that knew how to find me. I was immediately intrigued because I have always been inspired by Emerson’s words. Living in the sunshine of divine love that flows trough us and around us, swimming the sea of human emotions, drinking the wild air of inspiration, pure Spirit.

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The van

The van

The clue for this photographic investigation was “The van”. Fortunately, an experienced photographic investigator is used to think out of the box and rarely takes her clues literally. It was very easy to locate the miniature van and photographically investigate the subject behind it. Not that I am complaining, but sometimes I think that my mysterious -but very generous- employers need to challenge me a little more…

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The movie and the screen

The movie and the screen

A photographic investigator sooner or later realises that there is a distinction between the screen upon which a movie is projected and the movie itself. Many things happen in that movie and many feelings are evoked to the poor viewer, but the screen remain unchangeable. In times of pressure or general fear and anxiety, a photographic investigator always reminds herself: “Nothing real can be threatened, nothing unreal exists…”

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The Old Curiosity Coffee Shop

The Old Curiosity Coffee Shop

My new subject was working in the Old Curiosity Coffee Shop and I should know what clues to look for, except… I never got to read Dickens’ book -I had it in my library though! So I knew that the environment, though very pleasant, wouldn’t help me to complete the photographic investigation. She was known as the “Cat Mistress” because she loved and protected cats -and she was equally loved and protected by them. Her totem animal was the Caracal, a beautiful wild cat species that could jump 3 meters in the air and catch birds! My totem is the black bird and we could obviously have a conflict of interests there, but what helped me approach her was the recent appearance of the jaguar as my spirit animal -a sort of special, temporary messenger. This way, the necessary compatibility was achieved and my photographic investigation started.

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Magnificat

Magnificat

The code name for this assignment was “Magnificat” (My soul magnifies the Lord). Immediately the reality of something that Lester Levenson pointed out struck me: that when you dive into the very core of a feeling, you will observe that nothing is really there. Like looking at a magnified object. The more magnified it is, the less detectable it is. My subject was a heiress experiencing an intense feeling of unease and dissatisfaction about the fact that she had to pursue studies in theology in order to receive the 24 billion dollars that were hers… A photographic investigator must let her subjects realise the truth on their own, though.

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The darling bats of May

The darling bats of May

A photographic investigator always has warm relations with people that most would call “unconventional”. Like -in this case- tarot readers and fortune tellers. It was in a meeting with a tarot reader that he pointed out that my spirit animal for the month of May would be the bat. I wouldn’t really know what to do with this information if at the same moment I were not browsing through one of my latest photographic investigations: the girl with the bat on her blouse. And then that famous sonnet from Shakespeare came to mind:

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The bad weather attitude

The bad weather attitude

A photographic investigator arrives at certain realisations sooner or later because they hate waisting their time -they are like this by nature. Yet they very often do. And they get frustrated. I mean, what is important is what you think of you. There is a law in life, the law of assumption. You are what you assume to be. Why not assume you are the person you would like to be -for a change? Just to see what happens… If you can’t help yourself how could anyone help you? And why should they… You operate your mind and your mind creates all that exists in your world. Isn’t it time to realise it and stop waisting your life day by day? I don’t know who said it but it made an impression to me: “Most people see life as bad weather: they wait for it to pass”. Maybe stop doing this now? Maybe shut the TV? Maybe stop paying attention to your mind chatter? Maybe stop recreating yesterday’s undesirable conditions? Just a photographic investigator’s suggestions.

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The model

The model

Leonardo’s “Mona Lisa” wasn’t the portrait of Mona Lisa Gherardini, wive of Francesco del Giocondo. It was a portrait of Leonardo’s mother. And it was the only painting that Leonardo always carried with him, wherever he went. Of course, this is just another theory (although supported by the actual historic evidence) as only Leonardo knew the truth. But in the case of the modern portrait of Mona Lisa with the sunglasses, the model was alive and could be found. That was my new assignment. And I have managed to photographically investigate her without arising suspicions. Like all of us, she was closer to her original self that she could ever have imagined…

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The golden egg

The golden egg

Very often a photographic investigator embarks on an investigative assignment after receiving a cryptic message or some kind of intuitive guidance. In this case it was a message hidden in a comment on a youtube channel. I immediately knew what I had to do and where to find my subject, although this would require another time displacement. But I was used to time travel and I had the time to replenish my energy, anyway, after so many months without inter-dimensional movements. So, no problems.

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The human condition

The human condition

The morning just after another month of lockdown was announced, way before sunrise. Away from my subjects and without assignments, I was looking at older photographic investigations that I thought not successful. Suddenly, I found myself struggling to comprehend the expression “not successful”. Maybe they were investigations that I felt uncomfortable with, that I thought that they would not be well received -”by whom?'“, I asked myself. Or photographic investigations that I simply didn’t like or that possibly generated an unease, a discomfort in me. Just like I sometimes feel when I am confronting myself, at times of peace and silence such as these. When I am seeing my human condition. The human condition. Photographic investigations are really parts of the photographic investigator’s self, of her condition. Usually she is running away from some part of them, she is keeping them unpublished, she resents them, she puts them in the recycling bin. But the recycling bin recycles, it does not release or dissolve. This beautiful, peaceful morning, before sunlight made this bright star in the east disappear, I just looked at them and accepted them for what they were: a part of the human condition. Just that. And I realised that acceptance was working much better than struggle. And then I saw something vibrant, silent, beautiful and perfect. As is the canvas in which all photographic investigations are taking place.

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Quantum entanglements

Quantum entanglements

I was investigating a classic type of entanglement: things that were happening in February suddenly appeared to be announced in a poster of last year’s October. My subjects thought that it was a mistake because they thought that nothing moves faster than the speed of light. Although quantum physics is an essential part of a photographic investigator’s life (especially an inter-dimensional one), it’s knowledge is not mandatory requirement in being qualified as a potential subject. Thank God.

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Endless supply

Endless supply

A photographic investigator knows -after having watched numerous subjects- that Florence Scovel Shinn has been right all along: There is an immediate supply for every demand if you show active faith. That means, being sure that everything you desire or require is already on your pathway and giving thanks for this endless supply that is at your disposal at any time. Acting on faith, if a subjects needs money, she buys a bigger wallet, if she wants an adventurous travel she buys an amazing suitcase, if she wants success, she assumes the quality of a successful person. “I see clearly my inexhaustible supply” is her mantra.

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Present, untitled

Present, untitled

Sometimes a photographic investigation takes place in the past but becomes what it is in the present. Which, of course, is all there is. In this case, the present was dominated by frustration and an urgent and desperate need for escape, which of course was a helpless situation - every form of restriction is an illusion and how can you escape an illusion that you have created? Especially when it contains horrific memories of the past and the fear that it is repeating itself… It’s a vicious circle really. In that context, trying to figure out what this photographic investigation was all about, I started browsing “The wisdom of insecurity” by Alan Watts. And the following passage made me stop. And all the desperation and need to escape just collapsed into their native nothingness: “…as a matter of fact, you cannot compare this present experience with a past experience. You can only compare it with a memory of the past, which is a part of the present experience. When you see clearly that memory is a form of present experience, it will be obvious that trying to separate yourself from this experience is as impossible as trying to make your teeth bite themselves. […]To understand this is to realize that life is entirely momentary, that there is neither permanence nor security, and that there is no “I” which can be protected”.

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The Bermuda triangles

The Bermuda triangles

While the original Bermuda triangle was an almost forgotten memory due to the fact that the phenomena that were widely experienced in this part of the Atlantic had come to an abrupt end thanks to the removal from the seabed of the Atlantean crystal that was causing them, many smaller ones were formed almost simultaneously. They started to move freely, bending space and time, serving only as clues or landmarks for photographic investigators. Some of us have quantum triangle detectors that can localise them in case that they are connected with some important photographic investigation, like this one.

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