Sometimes a photographic investigation takes place in the past but becomes what it is in the present. Which, of course, is all there is. In this case, the present was dominated by frustration and an urgent and desperate need for escape, which of course was a helpless situation - every form of restriction is an illusion and how can you escape an illusion that you have created? Especially when it contains horrific memories of the past and the fear that it is repeating itself… It’s a vicious circle really. In that context, trying to figure out what this photographic investigation was all about, I started browsing “The wisdom of insecurity” by Alan Watts. And the following passage made me stop. And all the desperation and need to escape just collapsed into their native nothingness: “…as a matter of fact, you cannot compare this present experience with a past experience. You can only compare it with a memory of the past, which is a part of the present experience. When you see clearly that memory is a form of present experience, it will be obvious that trying to separate yourself from this experience is as impossible as trying to make your teeth bite themselves. […]To understand this is to realize that life is entirely momentary, that there is neither permanence nor security, and that there is no “I” which can be protected”.
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I am searching for you
A photographic investigator realises, sooner or later, that when one goes expecting a double trouble, they usually find a triple one. There is always a subject willing to be a part of the investigation, which is never a problem for me. Besides, either a subject has been investigated many times or none at all, it's the same. Every photographic investigation is the first investigation. The music of the investigation was hawaiian... Keola Beamer was playing - 'Imi Au Ia 'Oe... "I am searching for you".
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