The theme of the 2018 Venice Architecture Biennale is "Freespace". Free space is vital -if a photographic investigator (and any other investigator for that matter, but you must be an investigator) wants to achieve a free mind. Greenland's pavilion was one of my favourites. Not only for it's ample space and minimal concept, but for it's purity. There is a kind of mystical serenity that emerges through your core and enwraps you completely when you are walking in pure snow. The purity of snow triggers it. And this beautiful Greenland free space world, gave you the impression of walking on snow... And as a tropical island lover that I am, I can appreciate a good snow walk, believe me.
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It was a photographic accident. In the sense that the concept wasn't visualised by the infamous Mister and I didn't steal it -from a different angle though- as I usually did. I never liked concepts, but I wasn't opposed in other people having one -or more. In this case the model took the initiative to fall and in that moment, the venetian monastery where the "accident" took place seemed like paradise.
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One of those typical photographic investigations in Venice, where you intend to investigate one thing and you end up investigating another, a most unexpected one I might add...
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"You saw me crying in the chapel, the tears I shed were tears of joy..." sung Elvis and one could easily cry of joy in the Vatican Chapels because they were so beautiful. Of course my subject weren't the chapels themselves but the one who found refuge in them. I had a photographic investigation to do but I also had a soft spot for beautiful people blending with beautiful architecture. My subject was pursued not by me, but from a group of mysterious, very handsome men with impeccable white shirts who invaded one day the vaporetto to San Giorgio Maggiore in Venice. There was something mesmerising in their elegance and style but also something vaguely dark. All I had to do to find my subject was to follow them and I knew right there and then that this would be yet another one of my investigations that it's course had already changed in my mind...
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I was hired to photographically investigate another strange Venice creature, another dangerous subject. Her name was Medusa, she also belonged to the infamous secret circle of Il Mister (although not so secret anymore after my numerous investigations and revelations) and, what a surprise, I wasn't told (again) why she was dangerous or why she went by that name. Well, Medusa had the ability to turn men into stone with her gaze -if that as the clue that i was supposed to figure out- but I wasn't a man. And even if I were, well, it would be an interesting turn of events, to end up as a stone statue in one of the most beautiful courts of Venice. She looked at me. I don't think I turned into stone. But then again...
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There is only one garden in San Giorgio Maggiore, in Venice. And there is no secret under the sun... But that day the sun was shining too brightly and the garden was hidden to those who cannot stand the bright light. So, in a way, it became secret...
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She wanted to play Anne Bancroft's role in Jacques Tourneur's film noir, "Nightfall". She knew she could pull it off and so did her producer husband. I had investigated her many times in the past, but this time the investigation had taken an almost metaphysical "colour". "Things that really happen are difficult to explain" her character says at one point in the film and this is how it works. Of course, what is real and what is not, is another investigation altogether...
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It was a bad 1984 french film with Valérie Kaprisky. But then, everything that reminds us of our youth is seen through a "summer of innocence" filter, as I call it, that feels like the seventies summer films yellow hue looks like... The past is reinvented every time we recall it, and this was one of these times. It was summer in Venice and I was investigating this delicate and sweet young artist, an ethereal presence that decided to take off her shoes and move playfully... And then I saw them. The medusas. It was the first time they were seen in Venice and everyone thought it was a good omen. The incident had a french Riviera feel to it, just like this old movie. I thought it was a good omen as well.
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It was the day of the summer solstice and it was obvious that she was hiding. But not from me. My assignment was to investigate this beautiful woman who denied her divine nature for an obscure reason. She thought she was just a beautiful model but the way the garden embraced and protected her was more than eloquent to the contrary. it wasn't my job to reveal secret stories and I didn't try to.
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When a magical woman mysteriously changes outfits, there must be a hat somewhere, I though. And there it was. Changing things in unpredicted ways... Thank God that my job was only to photographically investigate...
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There are many magical women in Venice and they excel in magic potions or spells that could make you instantly rich or famous or internationally admired. And although many people believe in them and visit them every year to renew the effectiveness of the magic they bought, I systematically avoid them because there is nothing about them to be photographically investigated. But there was one venetian witch that had captured my interest -and that of my employers, obviously- because she made magic dresses and corsets that could bind or liberate, depending on the wishes of the client. And she was beautiful. Of course I was the witness of pure magic in her presence, as I saw her magically changing outfits while being investigated. This was the first one...
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"Juno, the latin version of the greek goddess Hera, rules the month of June, and being the goddess of domesticity, makes June the most auspicious month for weddings". I read that in an old datebook that was sitting on my desk. I like browsing in old datebooks (both for inspiration and perspective) and that's what I was doing. It was a Llewellyn's Witches' Datebook of 2010. I always resented writing a journal, all my thoughts and feelings seemed always funny and ridiculous when I read them later on. So, no. What I liked to do was noting "headlines" about the day (some days, anyway). Like, "Today extraterrestrial weather, dust from the desert makes Athens look like Mars" or "I love him" or "Announcement: I am the new editor in chief"... Things like that. I "accidentally" opened it in a July page and since there was no headline in that page and it was the middle of June, I went back a little and saw the Juno entry. A very dear friend and beloved model of mine got married a few days ago and I knew she was protected and blessed. I love June. It's the month you can have a glimpse of the goddess Juno strolling around in a garden, or sitting on a bench, relaxing. Earthy and divine, at the same time. No doubt about it: "I love June" - this could be a new headline, by the way.
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I don't know when Chucho Valdez wrote Claudia, but I first heard it in Paquito d'Rivera's album, 'Reunion", with Arturo Sandoval. One of my first latin jazz albums and surely one of my favourites. But then, I always had a soft spot for boleros... When a photographic investigator is in between assignments, they like to experiment connecting people and faces to songs. This one was an instant match. And it served as well as a realisation that, sometimes, the best photographic investigations happen during a break...
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I don't know if it was an entrance or an exit. Maybe neither. There was light, so inevitably there were shadows. I remembered an arabic song called "Fly shadow, fly". Could I be investigating -without knowing it- the ability of a shadow to fly? Well, if it could, it should do it followed by this melody.
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What can really be the end of a photographic investigator is not travelling in space, but travelling in time. And I've done that a lot... For some unexplained and probably mystical (or totally meaningless) reason, every time I had to travel in time I was going back to Venice. So, my energy resources were every time smaller, although my ticket was getting cheaper and cheaper. It felt like a countdown. "Al fin, que para morir nacimos" as they say in Mexico... "In the end, we are born to die". Who knows? Maybe the end of my photographic investigations would come in the middle, inside the time vortex, outside of time. I wonder if all my work would disappear with me too. It should, I think.
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I once bought a perfume in India, called "Night in Vrindavan". It was very exotic and "indian" -only those who have been to and loved India know what I mean- and it's name stayed with me for more than 25 years... I thought it had to do with some romantic notion, but I found out, by chance, that it had to do with the local belief that every night, in the Nidhivan forest, Lord Krishna appears, performing the divine dance with his consort, Radha. A really mystical, divine act that can't be witnessed by ordinary people, as it can drive them mad. Vrindavan is the childhood place of Lord Krishna, a holy place for the hindus. My subject was making open plans for a trip around the world and had just purchased some new clothes. Written in the label of the most beautiful blouse was the word "Vrindavan"... She told me that her first stop would be India. This subject had to be further studied, I thought to my self. To be continued...
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Her husband was rich and determined to be a film producer. He was a film noir lover and wanted her to be the star in the remake of a classic 1941 movie, "High Sierra", starring Ida Lupino and Humphrey Bogart. He also wanted to shoot the movie in an original location in the Sierra Nevada, the "snowy mountain range"... She loved those mountains. It was high and cold in High Sierra and it reminded her the time when she met the infamous "Mexican", a writer who became her closest friend. But that was all in the past... She indulged her husband because she secretly hoped that fate would bring him into her life once more. The Mexican was missing and he was always enchanted by the high, cold mountains of California.
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I am not always hired to photographically investigate mysterious personalities. Sometimes my assignments have to do with some secret technological invention or material, informations hidden in peoples clothes or accessories and so on... This time I found myself again in Venice, investigating... a dress. It was made by a revolutionary material, called "Incognito" that didn't need washing or ironing and could stay fresh for a maximum of 10 days, making it the ideal item for medium time getaways or business travel (even vacation). It was conceived to accommodate the ideal of "no luggage traveling", an ideal that I am proud to say that I am a great advocate of, since I love travelling to exotic places only with the clothes I am wearing, my photography kit and my book. I had figured that everything else I could need (mostly pareos, hats, sunscreen and swimming suits) I would be able to buy there. The dress in question was ideal for spring and summer travel and the traveler should be able to carry all that she would need in the large bag that came with it as an indispensable accessory, mostly because women feel secure by caring a bag -being a huge bag carrier myself, this is a mystery I haven't solved yet.
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That was the objective of yet another assignment, another photographic investigation. Once I found her and I completed my job, though, I realised I wasn't the only one looking for her. Of course once one realises that she is always hiding in plain sight, suddenly there is no need for looking. Anyway, she was here only temporarily, so I had to take advantage of that. I found out that she was heading to a place called Graceland and I decided to follow her there. This place is found in another reality and I didn't know if there was any energy left in me for all this. Time travel and reality crossing is exhausting, it depletes a photographic investigator's vital energy. One of these days I was about to complete my last mission, I knew that, maybe this one would be in Graceland, after all. More about that in the following blog post (if there is going to be one...).
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"Shy coffee" is a code name for a very common situation in the photographic investigation business. It informs the photographic investigator that it's subject knows that is being investigated, and that she also thinks she knows why that happens. So the subject acts with a certain kind of controlled shyness and openness at the same time, making the photographic investigator's work easy. Of course all this is just a decoy. She is being investigated for a completely different reason, one that she can't even grasp. But deception is all there is anyway, so to not be using it would be out of this world. This photographic investigator is not at all against that notion -except she has 2 faithful helpers to feed: the infamous Juanita & Lupe dynamic duo... The things we do for love...
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