The bodyguard

The bodyguard

Just a routine photographic investigation that took place in New York, about a woman named Eve who was always in the company of her faithful bodyguard -and friend- Kay B. My subject was the Eve woman, but my gut told me it was all about the bodyguard...

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The Panama papers

The Panama papers

My only clue was that she used exclusively panama rolling papers for her cigarettes. Things like that may seem insignificant to an untrained observer, but they make an experienced photographic investigator's life much easier… All I had to do was follow the imprint that the smell of the panama papers left everywhere they were used -sometimes for weeks- and wait. As it must be obvious to you by now, a successful photographic investigator must sharpen all of her senses with diligence, discipline and determination with every change she gets so that she is always ready to follow a sensory lead instantly. Of course the objective of my investigation about this particular subject was totally unrelated to the panama papers, but thank god she used them. 

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Spring allergies

Spring allergies

A crazy wind was blowing from the South East and everybody knew this meant trouble. In addition to the bad omens of this morning, the wind brought with it too much african dust and the atmosphere was otherworldly… It was also the beginning of spring and the person I was supposed to investigate was suffering from spring allergies. As a photographic investigator, I hate it when my subjects suffer, but I must admit that intense situations make my investigation more effective. A sneeze says more that you can imagine about a person, believe me… 

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The Law of Attraction

The Law of Attraction

Everybody knows that visualising a situation -with our selves in it, usually- attracts the sircumstances for the manifestation of this situation. Wishes come true, always, but, off course, so do some unexpected elements that these bring along, and which we could not have imagined when we were thinking something into existence.

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Out of the past

Out of the past

"I never saw her in the daytime. We seemed to live by night. What was left of the day went away like a pack of cigarettes you smoked. I didn't know where she lived. I never followed her. All I ever had to go on was a place and time to see her again. I don't know what we were waiting for. Maybe we thought the world would end. Maybe we thought it was a dream and we'd wake up with a hangover in Niagara Falls. I wired Whit but I didn't tell him. 'I'm in Acapulco,' I said. 'I wish you were here.' And every night I went to meet her. How did I know she'd ever show up? I didn't. What stopped her from taking a boat to Chile or Guatemala? Nothing. How big a chump can you get to be? I was finding out. And then she'd come along like school was out, and everything else was just a stone which sailed at the sea". Scenes from one of the best film noir ever made, Jaques Tourneur's 1947 "Out of the Past" were flashing inside my head while I was investigating this "embarrassingly beautiful woman" -to quote one of "Il Mister"'s (my most famous subject) favourite expressions... This time I could not risk the slightest hint about the place or the reasons concerning this photographic investigation, it was too dangerous. But the narration of Jeff Bailey (Robert Mitchum) about his femme fatale Kathie (Jane Greer) seemed most appropriate... 

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The flight of the eagle

The flight of the eagle

Or the dance of observing… This performance made me think Krishnamurti's words from The "Flight of the Eagle" (1969): "One cannot learn about oneself unless one is free, free so that one can observe, not according to any pattern, formula or concept, but actually observe oneself as one is. That observation, that perception, that seeing, brings about its own discipline and learning; in that there is no conforming, imitation, suppression or control whatsoever - and in that there is great beauty. Our minds are conditioned - that is an obvious fact - conditioned by a particular culture or society, influenced by various impressions, by the strains and stresses of relationships, by economic, climatic, educational factors, by religious conformity and so on. Our minds are trained to accept fear and to escape, if we can, from that fear, never being able to resolve, totally and completely, the whole nature and structure of fear. So our first question is: can the mind, so heavily burdened, resolve completely, not only its conditioning, but also its fears? Because it is fear that makes us accept conditioning".

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Burano

Burano

Sometimes a Photographic Investigator finds herself in between assignments and they wander around observing. Everything is really amazing when you are silently observing it. Unfortunately, old habits die hard, so I ended up investigating two people… Luckily, it happened in Burano, so I did it in colour. So, one thing was out of the ordinary. 

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Foolish love

Foolish love

...I must say I always have loved the "liberation point". The moment when the illusion collapses. Not only because it gives equally good investigative portraits, but because it's most promising: who knows? If one illusion collapses today, maybe another one, more important will collapse tomorrow. Something to meditate on… 

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Blade runner

Blade runner

I felt a little like one… Of course my mission was completely different -and I wasn't Deckard, although she looked a lot like Rachael… I had to follow her from Paris to the little island of Giudeca, in Venice. She was beautiful and she looked slightly sad and very innocent, but I didn't feel guilty. After all, my mission was not only to investigate her but to protect her as well. This time I had to use the help of two of my associates -the Fox and the Mister. They were old subjects of mine that became good friends and valuable colleagues. Both male and very attractive, they were the perfect decoy… Beautiful women rarely say no to handsome male photographers who offer to make their portraits. I called, they responded, and so we proceeded. It was a complete success. Although in my shots it seems like she is sometimes looking at my lens, the truth is that she didn't even glance at me. I don't think she saw me at all. Of course the fact that I was equipped only with my faithful Ricoh GR, helped a lot. Big lenses have a strong impact on beautiful subjects. I felt invisible, totally absent and powerful. Something you couldn't say about Deckard… 

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Poems & Crimes

Poems & Crimes

It was the name of an art bar in Athens. My photographic investigation was surrounded by mystery because, this time, I had to find out for myself who my subjects were. My employer could not disclose that information and although it might seem unusual, I knew it was for safety reasons -my safety. It was one of those times when conceptual projections could not only mislead you, but kill you. So, I entered the bar without expectations and preconceptions, without clinging to thoughts. I was late for the reading of erotic poetry. But I knew instantaneously that my subjects would come to me. I went to the garden. The name of the bar clearly suggested  that after the poetry reading some sort of crime would take place. Without expectations of an Agatha Christie plot -but secretly hoping for it, I must admit- I waited. My connection, Dorian loaded a roll of film in his camera. That was the signal. I got up, approached his table and tripped. Four arms reached out for me. The two belonged to a beautiful male creature, the Dandy. In his vintage diamond cufflinks I could read the word "Poems" in cryptic writing. The other two belonged to a sparkling female creature, the Therapist. In her necklace the word "Crimes" was featuring in the same cryptic manner. I knew then that Poems and Crimes were the names of two families of people whose role though, remained to be discovered. One thing I knew with certainty: I had to shoot them both. Since the beginning of my career as a photographic investigator, it was always clear to me that each investigation could be my last one. My intuition told me that this time the possibilities were greater. I took out my camera and when the luminosity of these magnificent beings shone upon me I recognised it as the inner radiance of my own mind. 

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I need a hero...

I need a hero...

It was Valentines Day and for some unknown reason, all the heroes were out of town. Some said it was because of an unscheduled hero meeting. It wasn't a pretty sight. My subject had a hero date that afternoon and she was disappointed. But that worked well for me. Disappointment is more eloquent as far as a photographic investigation goes. My subject tried to be open minded about it and check out the non-hero population. But the disappointment escalated and it got to a point were it woke up her sense of humour. That date could be rescheduled, after all… 

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The great expanse

The great expanse

Bathed in the illusory light of the afternoon and helpless under a sky beautifully painted by chem trails, watching fellow photographic investigators investigating something that I could see but I knew it does not exist, I felt the need to capture this moment -although I knew this was impossible- as I reminded myself: "All phenomena are selfless, empty, free from conceptual elaboration. In their dynamic they resemble an illusion, mirage, dream or reflected image. A celestial city, an echo, a reflection of the moon in water, a bubble, an optical illusion, or an intangible emanation".

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Evanescence

Evanescence

That's what her brand of cigarettes was called. They were triggering her ability to disappear whenever she wanted to. That was her special gift. And that's why she had escaped the attention of other photographic investigators for so long. Not mine of course. The task was simple. Shoot her the moment she disappears and wait to see her reappear… because disappearing is understood, it's the reappearing that puzzled me. The mission was a success, but, then, you will never know if I am telling the truth. And I hope that you will also find it hard to believe that I have stolen  some of her cigarettes while she was gone… 

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Casablanca

Casablanca

She was the woman with no face. Simply because nobody was able to take a shot at it. Nobody knew what exactly happened to those who did, but everybody knew that they ended up in "Casablanca". Whether Casablanca was a night club, a dungeon or a concept, remained to be discovered. All I had to do was follow her and try to take that shot. I was feeling fearless that morning. Suddenly, I realised that The Fox was walking next to me. He had probably the same intention. I decided to let him take the first shot. Then, by simply following him, I would find out about Casablanca. It wasn't a bad plan. Not bad at all. But I will talk more about what happened to The Fox in a future post… 

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Code name: "Amore"

Code name: "Amore"

Her job was to inspire strong and photographically very dangerous men. She was the Muse. In many ways, investigating only her would be like investigating at least five of my most challenging cases. I did it for myself. Sometimes a photographic investigator must go one step beyond to make her life easier. So I befriended her and did my usual thing… She was very cool and relaxed and although everything was going well, there was something alarming in her behaviour. She was too friendly. She was talking constantly on the phone saying the word "Ammmooore" and pronouncing it in this particular way. I thought she was inspiring someone. One of my subjects. But still, I could not shake off the feeling that something was wrong. I went to my hotel room and called one of my collections to check it out. I found out that Amore was a code name for a major investigative operation with the objective to locate all the wandering photographic investigators -like me- and put a constant watch over them. The headquarters were in Monaco. And it seemed that the Muse was the Boss. I found this information very intriguing. We were getting along very well. Perhaps I could offer her my services. But I had the feeling that the Muse was herself one step beyond me. Well… All I knew was that "Ammmmoore" sounded very cool. 

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