I photographically investigated Vera and her noir world after watching a great television version of Agatha Christie’s “A murder is announced”. This could have been the name of the investigation as the whole atmosphere was overflowed with a sense of secret, of something hidden. Well hidden, in Vera’s case.
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My assignment was about another noir woman actor who liked to play to the theater but was born to play in old noir movies. To achieve that she had to time/dimension travel and there was only one photographic investigator who could trace her: me. As you know, I have a great experience in inter-dimensional travel, even though this leads to an inevitable depletion of my power. But with enough good rest in a sunny, tropical island, everything is restored. So, this investigation took place, with me full of solar energy , powerful and positive. Needless to say, I knew where my subject was even before dialing possible other-dimensional addresses. Conclusion: with enough solar power, everything is done instantly…
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Lester Levenson said: “What we’re seeing out there is our own mind”. And this is the ultimate realisation of a photographic investigator…
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When a photographic investigator has a chance to integrate to the Clear Light of Objective Reality she never misses it. The urge to be free is great to a photographic investigator who has spent her life investigating the illusions /lives of her subjects, as well as her own. And although she has read many times the Tibetan Book of the Dead hoping that she will remember what to do when the time comes, she also likes the American Book of the Dead, by E.J. Gold and his guidance in the bardos. She must remember, she must remember…: “Now I am experiencing the Clear Light of objective reality. Nothing is happening, nothing ever has happened or ever will happen. My present sense of self, the voyager, is in reality the void itself, having no qualities or characteristics. I remember myself as the voyager, whose deepest nature is the Clear Light itself; I am one; there is no other. I am the voidness of the void, the eternal unborn, the uncreated, neither real nor unreal. All that I have been conscious of is my own play of consciousness, a dance of light, the swirling patterns of light in infinite extension, endless endlessness, the Absolute beyond change, existence, reality. I, the voyager, am inseparable from the Clear Light; I cannot be born, die, exist or change. I know now that this is my true nature.” (― E.J. Gold, The American Book of the Dead)
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My assignment was an interdimensional one, after a long time… I had to decline in taking this kind of assignments because of the energy drain that is caused to the photographic investigator by travelling to different dimensions and through time. But this one was very interesting -and I was feeling very strong and full of energy, after all. The portal was in the greek pavilion of the Venice Biennale -like so many are- and it was active only the last day of the Biennale. My task was to photographically investigate and follow a greek shadow that remained greek despite the nationality of the person who was casting it. It was taking their form, but not their nationality. Which, I guess was a tangible proof that nationality is not a real thing…
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My assignment was to photographically investigate the latest incarnation of Zenobia, the beautiful, magnetic, powerful and rebel queen of Palmyra. She had assumed the identity of another legendary (but fictional) warrior woman, Xena (also known to TV watchers as Xena, the Warrior Princess). The choice of an alias, although sometimes unconscious, is never too far from the source and this proved to be of great assistance to me. The task of a photographic investigator is to uncover the unlimited, hidden and always powerful identity of her subjects, of which they usually have no memory. Fortunately, this is a temporary situation and the process is greatly speeded up after the resuming of the photographic investigation.
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“It’s a carma burner, a quantum mechanics vibration cleaner!” He could see the people who exited it completely or almost “clean”.
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There is an infinite power, a universal consciousness that manifests herself as planets, worlds, people and cities and Venice comes right out of her radiant heart.
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Michelangelo said: “I saw the angel in the marble and carved until I set him free”. In the same way, a photographic investigator very often sees various angelic beings (in this case, an angelbird) in the people that she projects in her world and she photographs them until they are free.
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A photographic investigator often starts her day seeking inspiration and today was a Florence Scovel Shinn day. The quote that stuck to mind was the following: “The game of life is a game of boomerangs. Our thoughts, deeds and words return to us sooner or later with astounding accuracy.” Something to think about…
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I had in mind an Alan Watts lecture titled “Mind over mind”. A photographic investigator realises sooner or later that whenever the function or action of the mind is detected, a photographic investigation is impossible. And because trying to escape the mind is a function of the mind, ignoring it is the only way to go. This is really the measure of any fresh and original photographic investigation. The photographic investigator can’t dismiss the mind altogether, but the experienced one let it “think” it get’s it’s way, while the photographic investigation itself is about something else. Something ineffable, therefore untouched by the mind. Until it is published, of course…
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It was the morning following a gloomy day and night, but it didn’t have to be. It could wonderfully be (and it was, actually) the first morning of an exciting new month. I remembered that Il Mister (a mysterious and gracious figure of Venice, a dear friend who is featuring regularly in my photographic investigations) said to me once that when he was down he was listening to the “L is for Lovers” album by Al Jarreau… Instant lift up. I put the CD on… and it worked. I didn’t have any fresh photographic investigation going on, so I decided to revisit an older one. There are always new things to see with a happier eye. I realised that, as Al says, “we’re in this love (and life) together”. Thank you Al, thank you Mister.
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Krishnamurti said: “Freedom is space and space is order”. In my photographic investigations I have realised that space is owned and cannot possibly be rented. But my assignment was to photographically investigate some art installations in the island of San Giorgio Maggiore in Venice, to find out first hand if there was any truth to that statement. As I was following my oblivious subject, what I thought that it was a mind-block proved to be totally liberating. In the complete silence of the installation I realised something else that Krishnamurti has said in The Book of Life: “Having already done everything possible to find the answer, the mind becomes spontaneously quiet. There is an awareness without choice, without any demand, an awareness in which there is no anxiety; and in that state of mind there is perception. It is this perception alone that will resolve all our problems”.
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Matsuo Basho, the great Japanese haiku master, said: “The temple bell stops -but the sound keeps coming out of the flowers”. In the same way, the award winning cocktail was long finished. But it’s taste kept coming out of my photographic investigation.
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I was photographically investigating subjects that were talking about their wishes, their suspicions and fears. And something that Napoleon Hill said came into my mind: “Your subconscious mind recognises and acts upon ONLY thoughts which have been well-mixed with emotion or feeling”. So, I guess, not only we should feel the emotions that our wishes would make us feel, but we should be careful as as well to not let through the emotions that our fears would make us feel… Some photographic investigations are pure studies of the law of life, that is for sure…
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A photographic investigator is always walking in space, although she knows that space is an illusion. But illusions have the ability to take beautiful forms and sometimes even magnificent forms like the illusion that is named Venice. Like all illusions, Venice is very personal. And I personally have to wonder how a photographic investigator who seeks loneliness and seclusion, creates illusions of places walked and lived by people and then photographically investigates mostly that people, rarely keeping her distance -unlike the present photographic investigation… Maybe the illusion called Venice is a purely 4th dimensional reality that reflects the preferences of a higher self . Like the Basilica di San Marco reflects itself in the acqua alta waters…
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Usually I discover the objective of my photographic investigations while investigating my subjects. I have some clues and the general story, but the things I discover by myself (and about myself) are much more valuable. This investigation coincided with my study of Ralph Waldo Emerson’s works and his words "What lies behind you and what lies in front of you, pales in comparison to what lies inside of you" seemed to fit perfectly to the occasion.
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I always felt that I was born in Hawaii and my heart belongs to this place. Hawaii is the heart of the world, shining with divine love. When I was little I was thinking that it would be very cool to be an astronomer and work in one of Mauna Kea’s telescopes. Much later I realised the impact of the telescopes on the islands… My last assignment send me back home at the time of the protests about the new gigantic telescope that was about to be build in Mauna Kea. An assignment in a sacred place at a time of such great importance seemed sacred itself. She was one of the protesters and she was the daughter of a great kahuna. The assignment was just a pretext to be in this magical place and breathe the love. Mauna Kea doesn’t really need any protectors but my love was not letting me leave. So I stayed.
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It was the 15th of August and I was photographically investigating the usual suspects, while preparing myself for a long trip to Rio. I was reading Neville Goddard’s “Prayer: The art of believing” and I found myself reading the same excerpt again and again: “Subjectively, the object of your desire is never far off. Rather, it’s intense nearness makes it remote from the observation of the senses. It dwell’s in consciousness and consciousness is closer than breathing and nearer than your hands and your feet”. Exactly like the objects of my photographic investigations…
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A photographic investigator knows that the most extraordinary things happen in what most people call “ordinary moments”. But then, there are no ordinary moments - you have figured that out by now, haven’t you? So extraordinary is ordinary. And vise versa. And although my most prestigious and mysterious assignments take place in exotic or hidden or even mysterious places, in reality my best photographic investigations happen in between assignments…
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