In dark times shamans had to protect themselves under an energetic cloak. Likewise, good witches had to disguise themselves in darkness, in order to awaken in us, undetected, the sparks of love and light that connect us to the divine. To be photographically investigating one of these exceptional creatures was a rare privilege and I enthusiastically took the assignment, disregarding the ensuing depletion of my energy - inter dimensional photographic investigations tend to have that effect on me…
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This was the code name for an urgent, after midnight photographic investigation of Zenobia, in colour. I have been known to accept the challenge of a colour assignment under conditions that cloud my judgement, like that heat wave that tormented Athens for over a week. I didn’t like it, but a photographic investigator never goes back on an engagement, so I reluctantly finished the investigation. Once again, I swore it was the last time…
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From Crete to Naxos, from Theseus to Dionysus, from mortality to immortality… My assignment was to follow the “mitos” (thread) of Ariadne, my new subject, out of the center of the labyrinth after the discovery of the great secret. Why would I want to return, some may ask. It’s simple. I was engaged to undertake several more photographic investigations before I departed from this dimension. And a photographic investigator never falls back on her commitments.
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The code name for this assignment was “Magnificat” (My soul magnifies the Lord). Immediately the reality of something that Lester Levenson pointed out struck me: that when you dive into the very core of a feeling, you will observe that nothing is really there. Like looking at a magnified object. The more magnified it is, the less detectable it is. My subject was a heiress experiencing an intense feeling of unease and dissatisfaction about the fact that she had to pursue studies in theology in order to receive the 24 billion dollars that were hers… A photographic investigator must let her subjects realise the truth on their own, though.
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Another photographic investigation, another mystery with a code name… This time my subject was a renown spacecraft designer and the possessor of a classic greek beauty.
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A photographic investigator knows -after having watched numerous subjects- that Florence Scovel Shinn has been right all along: There is an immediate supply for every demand if you show active faith. That means, being sure that everything you desire or require is already on your pathway and giving thanks for this endless supply that is at your disposal at any time. Acting on faith, if a subjects needs money, she buys a bigger wallet, if she wants an adventurous travel she buys an amazing suitcase, if she wants success, she assumes the quality of a successful person. “I see clearly my inexhaustible supply” is her mantra.
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A photographic investigation that took place in a distant dimension, in the year 2020, the Year of The Mask according to the Lifestyle Horoscope, which, apparently, plays an important role in the way people of this dimension choose their accessories.
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The soundtrack of this photographic investigation was F.R. David’s (you know, the guy who wrote “Words” -don’t come easy-) “Pick up the phone”. Avalanches of 80’s sound memories rushed in, leaving no room for anything else.
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A photographic investigator knows that the most revealing and successful photographic investigations are the ones that happen in between assignments, the ones that she doesn’t care how they will end up or the ones that are already done and therefore are considered no big deal.
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Prentice Mulford said: “The man -or woman- who succeeds must always in mind or imagination, live, move, think and act as if he -or she- had gained that success, or he -or she- will never gain it”. I was hired to photographically investigate Zenobia’s journey to the manifestation of her desires. “Something new, something wonderful” was the theme of the investigation. And a photographic investigator helps her subjects through manifestation having faith in them. “Faith is the power to believe and the power to see”, Prentice Mulford also said…
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This photographic investigation took place 5 years ago in the einsteinian universe, but in the world of an inter-dimensional photographic investigator there is no time.
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It was the 15th of August and I was photographically investigating the usual suspects, while preparing myself for a long trip to Rio. I was reading Neville Goddard’s “Prayer: The art of believing” and I found myself reading the same excerpt again and again: “Subjectively, the object of your desire is never far off. Rather, it’s intense nearness makes it remote from the observation of the senses. It dwell’s in consciousness and consciousness is closer than breathing and nearer than your hands and your feet”. Exactly like the objects of my photographic investigations…
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Greek summers can be wonderfully minimal and when a photographic investigator gets called for an assignment from a caribbean to a greek summer, they better make the best of it. That’s what I did.
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The tricky thing with the Menu of Life is not so much WHAT to order, but HOW to order… The menu consists of all the things one can possibly imagine -therefore CAN have- but usually people think that someone must bring to them whatever they choose while they hold in their hands the menu of a self service establishment. Nevertheless, as a photographic investigator, it is my job (and my pleasure) to photographically investigate the efforts of my subjects to order. I always wish that they succeed, but I can’t intervene. You see, there are rules in my profession…
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It was the beginning of fall and I somehow got obsessed with the series "Stranger things". Maybe my 80's childhood was to blame, who knows... And then, in between my ET and Poltergeist memories there was this unpublished photographic investigation that I did in Giudecca, in May... What I was actually investigating is not of importance now, only the fact that I suddenly discovered an otherwordly ambiance to it -combined with the fact that the sea weeds made me think of the "upside down world"...
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Things had changed. A trip to Graceland wasn't a romantic fool's dream anymore... You see, Graceland had passed in the hands of a mysterious organisation that made it invisible to this dimension -unless you had a very special map. And this map wasn't so easy to find. I was photographically investigating a courageous group of Graceland explorers who thought that knew where to find that map - I was after the map myself.
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It was a photographic accident. In the sense that the concept wasn't visualised by the infamous Mister and I didn't steal it -from a different angle though- as I usually did. I never liked concepts, but I wasn't opposed in other people having one -or more. In this case the model took the initiative to fall and in that moment, the venetian monastery where the "accident" took place seemed like paradise.
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There is only one garden in San Giorgio Maggiore, in Venice. And there is no secret under the sun... But that day the sun was shining too brightly and the garden was hidden to those who cannot stand the bright light. So, in a way, it became secret...
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Firefly was an amazing sci fi western series that had a short life. That, along with the fact that it was just brilliant made it a cult and a must see for every serious sci fi lover. If Firefly hadn't been untimely cancelled (after only one season), I am sure that Serenity (this is how the ship was called) would have -somehow- visited a planet called Venice. She was called "La Serenissima" after all and a photographic investigator knows only too well that there are not coincidences...
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She wanted to play Anne Bancroft's role in Jacques Tourneur's film noir, "Nightfall". She knew she could pull it off and so did her producer husband. I had investigated her many times in the past, but this time the investigation had taken an almost metaphysical "colour". "Things that really happen are difficult to explain" her character says at one point in the film and this is how it works. Of course, what is real and what is not, is another investigation altogether...
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